A MOON FOR MY FATHER with filmmaker Mania Akbari + POST-REALISM SEMINAR #19

Monday, February 24, 2020, 7 PM | Communications 150 (Studio C)
A Moon for My Father (US Premiere)
screening and discussion with MANIA AKBARI in person
*** preceded by brief teach-in about the UCSC COLA STRIKE***

Mania Akbari collaborates with British sculptor Douglas White to coin a tender fusion of language, where a meeting of cinema and sculpture investigates the processes of physical and psychological destruction and renewal. Begun a matter of weeks after first meeting, the film charts a deepening artistic and personal relationship exploring the nature of skin, family, death, water, desire and, throughout, a powerful will to form. Akbari looks into the connection between her body and the political history of Iran, investigating the relationship between her own physical traumas and the collective political memory of her birthplace. As she undergoes surgeries on a body decimated by cancer, remembrance and reconstruction provide a framework for investigating how bodies are traumatized, censored and politicized, and yet ultimately remain a site of possibility. We are lucky to be the first US venue to host Mania Akbari and to present her new film.

A Moon for my Father is a deeply intimate, personal and moving work from Mania Akbari (whose movies have often been meditations on beauty and body image), a form of digressive-poetic cinema, connecting images and ideas in a dream-associative logic. Calmly, almost miraculously, it avoids the tones of tension or trauma or ostentatiously courageous humor.” – The Guardian

co-sponsored by Porter College, Film + Digital Media,  The Humanities Institute’s Body, (Anti)Narrative, and Corporeal Creative Practices Research Cluster, and The UCSC Center for the Middle East and North Africa

Screening is free and open to the public.


POST-REALISM SEMINAR #19: BODY POLITICS

Tuesday, February 25, 2020 4:30-7:30 PM, Comm 113 / Studio D
***or Alternate Strike Location TBA***

Our bodies live in their current contexts with their historic, scientific, genetic and social memories. Yet how do these memories take shape today in interactions with machines? Machines that are manufactured by our bodies and machines that simultaneously manufacture our bodies as well? When the human organs become centralized in confrontation with various situations, new political movements arise. The deepest part of humans’ bodies is the skin and the furthest part, the geopolitical borders. Contemporary bodies carry the deepest and the furthest at the same time. They socialize with their internal geopolitical borders.

 


 

MANIA AKBARI (b. Tehran, 1974) is an internationally acclaimed artist and filmmaker. Her provocative, revolutionary and radical films were recently the subject of retrospectives at the BFI, London (2013), the DFI, Denmark (2014), Oldenburg International Film Festival, Germany (2014), Cyprus Film Festival (2014) and Nottingham Contemporary UK (2018). Her films have screened at festivals around the world and have received numerous awards including German Independence Honorary Award, Oldenberg (2014), Best Film, Digital Section, Venice Film Festival (2004), Nantes Special Public Award Best Film (2007) and Best Director and Best film at Kerala Film Festival (2007), Best Film and Best Actress, Barcelona Film Festival (2007). Akbari was exiled from Iran and currently lives and works in London, a theme addressed in ‘Life May Be’ (2014), co-directed with Mark Cousins. This film was released at Karlovy Vary Film Festival and was nominated for Best Documentary at Edinburgh International Film Festival (2014) and Asia Pacific Film Festival (2014). Akbari’s latest film ‘A Moon For My Father’, made in collaboration with British artist Douglas White, premiered at CPH:DOX where it won the NEW:VISION Award 2019. The film also received a FIPRESCI International Critics Award at the Flying Broom Festival, Ankara. She is currently working on a new project ‘Libido’ with her son Amin Maher.

 


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